The spaces where humans, plants, and animals intermingle are rich junctures of mobility, sensuality, and impressions that together evoke a sense of place.

Visual anthropology can help interpret these humaNature events—where dichotomies and divisions are blurred, and lived experiences of multispecies mingling are brought to the fore through emerging practices that apply experiential and experimental devices.

Attending to emotional textures of intimacy, soundscapes of multiple species, and embodied, sensuous ways of knowing that do not privilege solely the agency of human actors, nor rely primarily on a linear narrative and didactic logic, the academic-artistic endeavor that I discuss in this article—and demonstrate in its accompanying short video, Senses of Silver River—is aimed at bringing feminist, decolonial ways of knowing the world to the forefront (cf. Collins; Harrison; Trinh).

Toward this effort, I propose a methodological intervention that I call evocative ethnography, which favors a sensorial realm to explore, interpret, and share a sense of place.